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Showing posts from June, 2012

The spy who was shoved into the cold

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Poor Ray Mawby. The late Conservative M P for Totnes, exposed this week as a sometime spy for communist Czechoslovakia, was a lonely and hollow man, which wasn’t really his fault. Unfortunately, he’d been made into a symbol. Winston Churchill acclaimed Ray as the first of a “new breed” of Tory: blue collars sporting a blue rosettes. Men like Mawby, working class trade unionists (Ray was, I think, in the Transport and General Workers Union) were the party’s parliamentary future, Churchill declared. They were going to sweep aside the gentlemen of the shires, the old Etonians, the Oxbridge clubmen and lawyers. I’m not sure if he was the last as well as the first of this new generation, but I certainly never heard of another. And like everyone who gets cast as a symbol, Ray was trapped in the role, hollowed out by it, his own volition paralysed. Other M P’s, of whichever party, who conformed more closely to that rather tedious, Downton Abbey -esque script which British politics (as

Leveson: Billy Bunter to testify?

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“I say you fellows, budge up, what? Room for another posterior on the old Chesterfield, I’d say.” Harry Wharton groaned. The former Captain of the Remove, now Director General of the BBC, couldn’t work out how William George Bunter, aka the Fat Owl, had wangled himself membership of the Garrick Club. “But that,” he’d murmured to Bob Cherry, when Bunter’s name was first posted, “is just damn’ symptomatic of the way the world’s gone.” Cherry, ever the loyal Patroclus to Wharton’s Achilles, was beside him now, sipping a green chartreuse. The friends had lunched on Dover Sole with minted peas, fondant potatoes and an icy Chablis, chewing over matters of weighty media portent – for Bob had become editor of The Guardian , and the old pals therefore now held between them the principal engines of bien pensant news manufacture and the shaping of enlightened popular opinion. Bunter, the aforesaid posterior straining his pinstripe to such a width that the vertical line of stitches between his b